Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

If you would like to enquire about working with Matthias, email contact@dirtysoup.com

CREDITS:

Director Rick Darge Consulting Director Ian Pons Jewell Music Supervisor Raife Burchell Composer / Producer Matthias Biermann @ Stella Mozgawa Drums / Percussion Stella Mozgawa Engineer Jake Supple Jr Engineer Omar Yakar Production Company ProdCo Founding Partner / EP Zico Judge EP Emma Wilcockson Producer Doochy Moult Post Producer Ann Mykhailenko DOP Octavio Arias VFX Supervisor Giles Cheetham Wardrobe Stylist Carolina Galiana Wardrobe Stylist Assistants Alexandra-Maria Barrios & Isabella Innocenzi HubSpot: Founder & Chief Technology Officer Dharmesh Shah Founder & Executive Chairperson Brian Halligan Chief Executive Officer Yamini Rangan Chief Marketing Officer Kipp Bodnar VP, Global Brand, Comms, & Creative Sunil Desai Global Sr. Director of Brand Marketing & Social Amy Marino Global Sr. Manager of Brand Marketing Alicia Collins Principal Brand Marketing Manager Callie Wilkinson Senior Brand Marketing Manager Kyra Peckaitis Sr. Director of Creative Jamee Sheehy Manager of Brand Paid Media Jillian Hope Sr. Brand Paid Media Manager Nicole Ondracek Sr. Brand Paid Media Manager Katie Boline Senior Data Analyst Ariel Boswell Arts & Letters: Founder, Executive Creative Director Charles Hodges Director of Strategy Andy Grayson Managing Director Theo Abel Head of Production Lisa Setten Executive Creative Director Molly Jamison Creative Director Brett Simone Creative Director Lillian O'Connor Creative - Art Director Jon Hirsch Creative - Copywriter Craig Gerringer Creative - Technical Designer Abbey Williamson Creative - Technical Designer Matthew Warren Creative - Senior Designer Andrew Caturano Creative - Senior Designer Rebecca Mass Creative - Motions Designer Ben Layman Executive Producer Jason Sheldon Executive Producer Whitney Green Senior Producer Beata Mastalerz Producer Collyn Dixon Post Producer Patrick Lewis Post Producer Rob Rosko Studio Manager Evan Cotter Music Supervisor Casey Wheeler Director of Business Affairs Lenora Cushing Business Affairs Manager Jennifer Kmetzsch Group Business Director Molly Navalinski Group Strategy Director Ralph Paone Business Director Mick Potthast Business Manager Justin Zollar Strategist Bodi Karsono Electric Theatre Collective: EP Vic Lovejoy Studios Producer Naima Vogt VFX Producer Katie Sharpe VFX Supervisor Alex Gabucci CG Supervisor Dorianne Fibleuil Studios Creative Director Geoff Parsons Design Lead Jess Gaynor Colourist Luke Morrison Church Edit: Editor / Founder Mah Ferraz EP LauRenn Reed Assist Editor Arie Abraham Post Producer Kylie DeVries Barking Owl: Sound Designer & Mixer Elizabeth McClanahan Executive Creative Director Kelly Bayett Executive Producer Ashley Benton Jr. Producer Jenna Pangilinan Singing Serpent: Executive Producer Dennis Culp Associate Producer  Beks Johnson Creative Director Jon Spencer VO artist Adam Kirschner Shelter x Radioaktive
Founding Partner Albert Zurashvili & Darko Skulsky Executive Producer Gena Shevchenko Line Producer Yulia Foster Set Manager Avtandil Osso Kokaevi Production Coordinator Vlas Laushkin Chief PA Otson Miminoshvili Production Assistants Ana Aphakidze & Rusudan Papaskiri Chaperones Anano Lomidze & Lasha Bandeladze 1st AD Dennis Sonin 2nd AD George Petriashvili Script Supervisor Marie Jachvadze Crane Operator Serhii Subota Focus Puller Manu Elijarashvili Production Designer Vova Radlinksi Art Director George Karalashvili Gaffer Goglika Khaindrava Key Grip Sergi Kveselava AC Dima Kuryliuk Camera Grip Levan Zaridze Dolly Grip Gvitso Melashvili Stylist Assistant Tiko Imnadze MUA Martelle MUA Assistant Anna Gadelia Casting Manager Shoka Shon Casting Manager Sopho Gagua Casting Manager Foreign Marisha Jincharadze Casting Manager Foreign Nino Agladze Location Manager Giorgi Chaduneli Location Manager Keti Kvenikidze SFX Supervisor Soso Gvasalia DIT/Playback George Matcharashvili Sound Malish Ivanishvili Camera Department Levan Zaridze Lights & Grips Goglika Khaindrava Dolly Department Ghvtiso Melashvili Art Department George Karalashvili Wardrobe Department Kato Gelashvili Makeup/Hair Department Anna Gadelia SFX Department Soso Gvasala Playback Department Nikoloz Gelashvili Walkie-Talkies & Catering Basecamp & Production/Runners & Makeup/Wardrobe/Toilet/Trucks Osso Kokaevi Generator & Advanced Electrician Goglika Khaindrava

Talent
Young George: Benjamin Sbuttoni 
Old George: Alfred Karklinis 
Patricia: Rusa Arabuli 
Elevator #1: Sako Tsotsoria 
Elevator #2: Sossou Daniel 
Chelsea: Nini Gvelukashvili 
Jim: Takumi Yoshida 
Office Man #1: Akaki Sioridze 
Charlie: Cano Pulido 
Onlooker: Temur Khutsishvili 
Callie: Vika Bokeria 
Henry: Xevi Sala Customer 
Customer in Cafe: Natia Kupatadze 
Sam: Limber Vivas 
Marketing 15: Benjamin Jones 
Tina: Karina Kolokolchikova 
Service 15: Omar De Brew 
Home Office 15: Lindura 
Brittney Tako Kekelidze

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Directed by Miles Jay Music Supervision Raife Burchell & Karl Westman Agency Version Original Composition (top) Jay Lifton & Ryan Miller Directors Cut Original Composition (bottom) Aska Matsumiya Cello Timothy Loo Recorded & Mixed Laurence Anslow at Evergreen Studios Los Angeles DoP: Kasper Tuxen EP / Producer: Christoph Petzenhauser Producer: Björn Krueger-Levy Production Coordinator: Elias Mittelstädt 1st AD: Tirso Diaz-Jares 1st AC: Goði Már Guðbjörnsson Agency: Jung von Matt Production Designer: Heimir Sverrisson Stylist: Margrét Einarsdóttir Wardrobe Assistant: Eva Lind Rútsdóttir HMUA: Guðbjörg Huldís Casting: Kharmel Cochrane Casting (Iceland): Vigfús Þormar Edited by Ben Jordan Edit Assistant: Jack Moore Offline Producer: Lola Cookman Sound Design & Mix: Nicolas Becker Sound Engineer: Ken Yasumoto VFX Studio: Time Based Arts Line Producer: Rafnar Hermannsson Production Manager: Fahad Jabali Production Coordinator: Kiljan V.J. Paoli Key Production Assistant: Asra Rán Björt Location Manager: Arnaldur ‘Naldo' Halldórsson Key Grip: Viktor Davíð Jóhannsson Gaffer: Ægir Guðmundsson

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS

Music Supervisor: Raife Burchell Composer: Kiley Norton Score Producer: Lorne Balfe

Creative Agency - Droga5
CCO: Shelley Smoler GroupCreative Director: Matt Hubbard Creative Director: Ed Redgrave Snr. Creative: Pete Giblin Creative: Oscar Gierup, Cameron Turner-Lowe & Conor Hamill Chief Strategy Officer: Damien Le Castrec Planners: Aaron Harridge, Liv Francis Cornibert Head of Design: Stephanie McArdle Design Director: Matteo Alabiso Designers: Anya Landolt, Julia Kuisma & Kateryna Kotikhina Motion Designers: Mike O'Brien & Rob Wicksteed Group Account Director: Josh Morgan Account Director: Ben Allan Head of Production: Peter Montgomery Snr. Producers: Tom Falck & James Plaxton Head of Studio: Tim Larke In-House Editor (BTS): Justin Stokes

Production Company - Dirty Robber
Directors: Martin Desmond-Roe & Travon Free DOP: David Markun Editor: Nick Frew Executive Producer: Mickey Meyer Producer: Nicholas Veneroso Post-Producer: Matt Roe Business Affairs: Karen Forchione

Clients - Royal Enfield
Chief Brand Officer: Mohit Dhar Jayal Global Brand Lead: Adarsh Saxena Brand Manager: Aiyappa Ponnappa Program Manager: Naomi Mitchell

Local Production Company - Angeles Unlimited India
Producers: Kanika Raheja & Sumit Sharma Assistant Director: Ateet Chatta Production Managers: Anuj Singh & Gilbert Mascarenhas Production Coordinators: Chandni Tyagi & Chintan Pandey Location Manager: Odpal George Location Coordinator: Stamba Location Assistant: Noordeen Sound Recordist: Debangshu Roy Production Designer: Smriti Wadhwa Art Assistant: Mudassir Drone Operator (video): Chirag Dhariwal Drone Operator (stills): Ashwin Raiturkar Gimbal Operator: Manpreet Singh Gimbal Assistant: Devender Kumar Rig Operator: Shashi Kumar Rig Assistant: Karan 1st AC: Yatendra Kumar Focus Puller: Shubham Karn DIT: Nayan Karmakar Camera Attendant: Gokil Ram Camera Attendant: Rahul Kumar Gaffer: Manish Kumar Stills team Chaperon: Abel Photography: Puro Management Photographer: Achille Mauri Photographer Assist: Claudia Decaro

Offline Edit - The Quarry
Editors: Scot Crane & Julian Tranquille Assistant Editor: Richard Goodger Offline Producer: Tor Adams

Post Production - Electric Studios
Executive Producer: Ben Honour & Antonia Vlasto Creatives: Geoff Parsons & Sam Tootal Snr. Producer: Tom Bogda AFX and AI Artists: Pavel Ivanov, Domhnall Malone Edit: Kingsley Bailey Grade: Electric Colour Colourist: Connor Coolbear VFX: Electric Theatre Collective Producer: Rosie Corbett

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

CREDITS:

Director Dennis Leupold Edit + Sound Design Ryan McCally Director of Photography Tristan Sheridan Movement Director Ryan Walker Stylist: Jahleel Weaver Hair Stylist Yusef Williams Makeup Artist Priscilla Ono Set Designer Randall Peacock Producer: One Thirty-Eight Productions

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Music Supervisor Raife Burchell Composer Brian Crosby Sound Design / Final Mix Ethan Houser Director Jonas Lindstrom Producer Simon Eakhurst Talent Oliver Clayton / Abdu Washington / Mungo Bridge Cinematography Monika Lenczewska Set Design Ruta Kiskyte Football Choreography Andy Ansah Agency Iconoclast Executive Producer Jean Mougin Editor Max Paschke Grading Simon Bourne VFX Angus Wilson 1st AD Benji Edwards Agency 72andsunny Creatives Matteo Gallinelli / Guillaume Roukhomovsky

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

If you would like to enquire about working with Matthias, email contact@dirtysoup.com

CREDITS:

Director: Laura Sicouri Music Supervisor: Raife Burchell Original Track: Matthias Biermann Group Creative Director Henrik Eldebring Creative Directors Karin Reineke, Tim Cantow Head of Brand and Creative: Jakob Kriwat Creative Strategy: Janosch Eink Brand Marketing Manager: Lukas Killinger Brand Marketing Manager Lino Krause Product Marketing Manager Hardware: Nicole Stein CEO: Simon Owen Managing Director David Barton Exectuive Creative Director: Leila El-Kayem Senior Copywriter Fabiot von Falkenhayn Art Directors: Zoe Spurgeon, Niclas Moos Business Director: Amanda Tischbier Account Directors: Toby Denton, Kurt Mattich Business Affairs Mischa Hayter, Vera Kacijeva Integrated Producer: Eric Kim Production Assistant: Aliaa Salaheldin Production Company: Zauberberg Productions Founder: Andrea Roman-Perse Executive Producer: Frederik Poppenk Producer: Eva Strittmatter-Power, Bastian Seitz, Brian Papish DoP: César Decharme Editing Company: Okay Studios Editor: Alessandro Dordoni Post Facility House: Okay Studio Head of PostProduction: David Patrick Thomas VFX Supervisor: Rich "Stretch" Russell VFX Artist: Rich "Stretch" Russell Post Producer: Athene Xenia Aristocleous, Sara Kurp Colorist: Florian Staerk VO artist: Sarah Palarczyk VO Recording Studio: Loft Sound Engineer: Maurice Mithcell

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS

Music Supervisor Raife Burchell Sound Design and Mix Ethan Houser Director Jonas Lindstroem Client Marc O’Polo Chief Product Officer Susanne Schwenger Director Marketing, Licensing & Growth Sandro Schramm Head of Creative Marketing & Content Katharina Reichle Director of Photography Rina Yang Talent Toni Kroos Production Company Iconoclast Germany Executive Producer Nicolas Blankenhorn Producer Veronika Fürthauer Production Coordinator Noelle Goetz Production Designer Ruta Kiskyte Stylist Dogukan Nesanir Assistant Carlos Garrido Hair & Make-Up Artist Ulrike Wissel BTS Photographer Julian Baumann Editor Max Paschke Colorist Marina Starke

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Music Supervision Raife Burchell Original Composition Samuel Karl Bohn Director Jonas Lindstroem Starring Roger Federer / Lou Lampros Agency Anomaly BerlinAgency MD Simon OwenAgency EP Michael MacmillanCD's: Sebastian Lyman & Justin Fly Account Director Elizabeth Anne Denvir Asselin Account Director Lixia Zhang Snr Business Affairs Manager Mischa Hayter Producer Erick Kim Service Production Rosas & Co Films Service MD Zürich Nadia Rosasco 1st AD Zürich Tony Fernandes Prod Comp Iconoclast MD Nils Schwemer EP Nicolas Blankenhorn Prod Coordinator Swenja Jorden Post Producer Iconoclast: Jens Maier-Rothe Editors Carla Luffe / Simon Colin DOP LA Monika Lenczewska DOP Zürich Mattias Rudh Ast Director Dominique Booker Prod Designer Nathan Parker Stylist Nayeli De Alba VFX/ONLINE The Mill CD Greg Spencer Online EPSound / Mix Florian Von Keyserlingk Service Production  Oriental Films: Mauri ClavijoService HOP Mechi Guereño EP  Alejandro Sparano 1st AD Rosellita Fragoso Service ProductionLA Iconoclast MD LA Charles - Marie Anthonioz EP LA Caroline Pham Producer LA Veronica Madrigal 1st AD LA Craig Owens

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

If you would like to enquire about working with Matthias, email contact@dirtysoup.com

CREDITS:

Director Renee Osubu Executive Creative Director Andy George Account Director Louis Collin Agency Producer Tom Falck Producer Poppy Ashton Executive Producer Tash Tan Production Company Somesuch Production Manager Rachel Bashford Production Assistant Rafi Ramirez DOP Jack Reynolds Production Designer Grace Bailey Editor Jack Singer Edit Assist Laura Zvarikova Colourist Jason Wallis Sound design Ellis McGourlay Mix Leo Baynes

Alex Brady-Epton is a composer, record producer, mixer and DJ.

After gaining critical acclaim for his production work with the band Spank Rock, Epton went on to forge a creative bond with the internationally revered label XL Records. A unique relationship that has seen Alex collaborate with acclaimed artists, such as FKA Twigs, Arca, Kali Uchis, Wiki, Amber Mark, Skepta, Aj Tracey, David Byrne and Jack Penate.

In addition to his eclectic production work, Epton has brought his unique musical voice to global commercial brand campaigns and short film projects, including the spellbinding GANG, directed by Clayton Vomero. Juvenile, directed by Jovan Todorovic, and After Maria - the hard-hitting Netflix Documentary-Short that chronicled the harrowing aftermath of Hurricane Maria.

Highly sought-after by artists in a variety of genres, NYC based Epton has produced remixes for The Kills, Kele Okereke, Björk, Charlotte Gainsbourg, Thom Yorke, TV on the Radio, Lily Allen, Kool Keith, Kylie Minogue, Beach Fossils, Neon Indian and others.

If you would like to enquire about working with Alex, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Director: Jonas Lindstroem Music Supervision / Track Placement: Raife Burchell Music: ‘Sun’ by Caribou. Publisher: BMG Production Company: Iconoclast Germany DOP: Nicolai Niermann Executive Producer: Swantje Rummel Producer: Steffen Leiser Productian Assistant: Stefanie Finkbeiner Photo Supervisor: Christoph Mack Digital Operator: Raul Suciu Casting: Dominique Booker Stylist: Dogukan Nesanir Stylist Assistant: Natalia Farnaus Hair Stylist: Kalle Eklund Make Up Artist: Patrick Glatthaar Service Production: BAS Productions Producer: Luka Jauh Production Manager: Ines Jambrek Production Coordinator: Alja Primec Production Design: Natasa Pogelj Editor: Carla Lauffe Post Producer: Leonidas Befeldt Colorist: Simon Bourne c/o Framestore London Postproduction: Slaughter Visual Manufacturing Sounddesign and Mixing: Moritz Staub c/o Staub Audio

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Steven Price is an Academy, Emmy, and Bafta Award-winning composer whose individualistic approach to scoring music to film has seen him work on many of the most innovative productions of recent years, from Alfonso Cuaron's Gravity to Edgar Wright's Baby Driver.

Whether it's incorporating original WW2 tanks in his score for Fury, starring Brad Pitt, or his wind instrument-driven score for Tom Harper's The Aeronauts, the music Steven creates seeks to give each story a completely unique voice, the result of a profoundly experimental and collaborative process.

Beginning his career in the late 1990s contributing to productions such as The Lord of the Rings trilogy and Batman Begins, Price went on to make his scoring debut in 2011 with Joe Cornish's horror comedy Attack The Block.

After winning a Bafta for his score for Sir David Attenborough's The Hunt, Steven went on to score Our Planet for Netflix Originals and the autobiographical documentary David Attenborough – A Life On Our Planet, for which Price won a Primetime Emmy. With performances of Our Planet Live In Concert at historic venues such as The Royal Albert Hall and The Hollywood Bowl, his musical masterpiece continues to sell out arenas across the US and Europe.

Recent projects include: Last Night In Soho, where he again teamed up with Edgar Wright; David Ayer's Suicide Squad; Oscar-nominated Netflix Animation Over The Moon; Michael Grandage's My Policeman, starring Harry Styles; Beast starring Idris Elba; Netflix Original's Heart Of Stone, directed by Tom Harper starring Gal Godot; the live-action animation hybrid Coyote Vs Acme; Los Frikis, the new feature from Peanut Butter Falcon directors Michael Schwartz and Tyler Nilson; and collaborations with brands including Samsung and Sonos.

Steven's extraordinary music continues to enhance the ideas and images of the world's most respected brands and filmmakers.

If you would like to enquire about working with Steven, email contact@dirtysoup.com

Jaime worked as an artist manager for eight years at Sir Elton John’s management company Rocket Music, which represents artists such as Ed Sheeran and Lily Allen. Jaime managed singers & bands such as Easy Life and Pnau, as well as working across Rocket’s full-roster on live tour scheduling and artist development. She also helped organise club nights across London, with DJ residencies in the West End, Shoreditch & Camden.

Jaime heads-up Dirty Soup’s existing track research and playlist curation. She recently sound-tracked two global Mini campaigns, which were produced by Iconoclast Berlin and directed by WE ARE FROM LA.

Jamie studied American Literature & Film Studies at Sussex University and is based between London, Los Angeles & New York.

If you would like to enquire about working with Jaime, email us at contact@dirtysoup.com

Brian’s career kicked off in style when, at age 16, he with his classmate Damien Rice started playing music together in school. This led to them forming the indie band Juniper and then later Bell X1, with whom Brian went on to record four albums and extensively tour the world.

Brian then set about creating The Cake Sale – a project set up to raise funds for the international charity Oxfam. The all-star-line-up featured Snowpatrol’s Gary Lightbody, The Cardigans Nina Persson, The Divine Comedy’s Neil Hannon, Lisa Hannigan, Glen Hansard, and Paul Noonan from Bell X1. The record was released in Europe and America to huge critical acclaim, became a multi-platinum selling hit, and still generates royalties for Oxfam.

Not being able to ignore his lifelong calling to score music to picture, Brian up’d sticks and moved to Berlin, where he converted a 3500sq ft factory in the heart of Kreuzberg into a modular recording studio complex. The studio became home to a head-spinning stable of composers including Hildur Guõnadóttir, Dustin O’Halloran, Rutger Hoedemaekers and the late, great Jóhann Jóhannsson - with whom Brian collaborated with on various TV and Film projects including Transparent, The Mercy, Mary Magdalene & I Love Dick.

After eight busy years in Berlin, Brian decided to return to his roots in his native Ireland. Inspired by the vast wooded landscape of County Wicklow, he designed and built ‘Treehouse Studios’, a stunning log cabin recording studio at the foot of Carrick Mountain.

In the spring of 2021, while most of the world was still in lockdown, Brian recorded his debut solo album Imbrium. The Sunday Times described the record as “nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives”.

In addition to composing music for Film and TV, the worlds most revered advertising agencies continue to engage Brian’s talents to help them soundtrack global brand campaigns for clients such as Samsung, Google, Under Armour, Dodge, Toyota, Wolf Blass, Volkswagen, Ferrero Küsschen, Uniqlo & Pfizer.

Brian is also a director of the Irish Music Rights Organisation and is Chair of the Screen Composers Guild of Ireland.

If you would like to enquire about working with Brian, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Directors: Will Speck & Josh Gordon Music Supervisors: Raife Burchell & Karl Westman Original Track: Vincent Alfieri Vocalist Adam Elk Agency: Superette Executive Creative Director: Mariota Essery Executive Producer: David Schiavone Creative Directors: Rafael Segri Creative Director: Julio D’Alfonso Copywriter: Robert Cuff Copywriter: Josh DiMarcantonio Art Director: Coleman Davis Design Director: Adriel Teles Production Company Name: Furlined Director of Photography: Rachel Morrison Executive Producer: David Thorne Line Producer: Dustin Highbridge Editing Company: Union Editorial Executive Producer: Caryn MacLean Producer: Lillian Ghodoushim Editors: Graham Turner Audio Company: Sonic Union NY Audio Producer: MK Valentino Audio Engineer: Julienne Guffain Company Name: Framestore Producer: Simon Jensen, Carolyn Martin Head of 2D: Chris Beers Flame Artist: Matt Dobrez, Serina Flores Nuke Artist: JinHee Aloi Design: Jake Cuffihy, Yujung Lee Helro Artist: Johnny Kachenmeister Colorist: Tim Masick / Company3 Chief Marketing Officer: Kofi Amoo-Gottfried Sr. Director of Brand Marketing: David Bornoff Director of Consumer Brand Marketing: Jennifer Richardi Director, DashPass Brand Marketing: Alex Hebels Sr. Associate, Brand Marketing: Sarah Trainor Sr. Director, Content and Social Marketing: Nicole Sia Brand Strategist: Hannah Gulla Director of DashPass Marketing: Courtney Marshall Sr. Manager, DashPass Marketing: Olivia Ulam Director, Consumer Communications: Liz Cooper Sr. Manager, Consumer Communications: Jinny Davoudi Associate Manager, Consumer Communications: Cristen Milliner Business Lead: Trina Sethi Project Manager: Jamie Penano Manager, Strategy & Operations: Connor Walsh Associate Manager, Strategy & Operations: Quartermain Lim

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

Alex Brady-Epton is a composer, record producer, mixer and DJ.

After gaining critical acclaim for his production work with the band Spank Rock, Epton went on to forge a creative bond with the internationally revered label XL Records. A unique relationship that has seen Alex collaborate with acclaimed artists, such as FKA Twigs, Arca, Kali Uchis, Wiki, Amber Mark, Skepta, Aj Tracey, David Byrne and Jack Penate.

In addition to his eclectic production work, Epton has brought his unique musical voice to global commercial brand campaigns and short film projects, including the spellbinding GANG, directed by Clayton Vomero. Juvenile, directed by Jovan Todorovic, and After Maria - the hard-hitting Netflix Documentary-Short that chronicled the harrowing aftermath of Hurricane Maria.

Highly sought-after by artists in a variety of genres, NYC based Epton has produced remixes for The Kills, Kele Okereke, Björk, Charlotte Gainsbourg, Thom Yorke, TV on the Radio, Lily Allen, Kool Keith, Kylie Minogue, Beach Fossils, Neon Indian and others.

If you would like to enquire about working with Alex, email contact@dirtysoup.com

Aska Matsumiya is a classically-trained pianist, artist, and composer.

Matsumiya's career in scoring music for film kicked off when Spike Jonze asked to use her music as the theme song for his short film; I'm Here. The soundtrack went on to pick up the award for Best Original Music at the AICP Awards, and Aska has never looked back.

Recent projects include Halle Berry's directorial debut Netflix feature, Bruised - A24's After Yang, starring Colin Farrell and Jodie Turner-Smith, where she partnered with legendary Japanese composer Ryuichi Sakamoto. Phoenix Rising, directed by Oscar-nominated Amy Berg, is a 2-part documentary for HBO Max that follows Evan Rachel Wood's journey to pursue justice following domestic abuse. And directed by Steve Buscemi and starring Tessa Thompson, The Listener tells the harrowing story of a helpline volunteer fielding calls from broken people on the edges of society.

The past years have seen Matsumiya work on back-to-back projects, including the 2020 HBO series Betty with long-time collaborator Crystal Moselle, a series based on the Sundance breakout film, Skate Kitchen. Matsumiya and Moselle previously collaborated on Moselle's award-winning documentary, The Wolfpack, with Aska's haunting score garnering high praise across the industry. She also composed the sublime electronically-driven score for the life-affirming Japanese feature, 37 Seconds, which won the coveted Panorama Audience award at the Berlin Film Festival. Selah & The Spades, directed by Tayarisha Poe; I'm Your Woman, directed by Julia Hart, written and produced by Jordan Horowitz (La La Land); and This Is Personal, which saw Aska once again collaborate with Amy Berg.

Having picked up Gold for Best Original Music at the Ciclope Creative Festival for Daniel Askill's Audi Electric Wave film, Matsumiya is also in high demand in the commercial space. You can hear her compositions on campaigns for Porsche, Levi, Chanel, Hermes, Miu Miu, and Prada.

Outside of scoring music to film, Aska and Alex Somers (Jónsi/Sigur Rós) teamed up to create the musical soundscapes for 'If Only the Sea Could Sleep', an exhibition of painter Claire Tabouret's work at HAB Galerie in Nantes, France. Aska and Alex's pieces included field recordings of boats creaking and chimes swinging in the wind - the feeling of being in the middle of the ocean. Their soundscapes were played throughout the event space's 24-channel-surround-sound speaker system, separating each element of the compositions to intertwine and flow effortlessly alongside Tabouret's mesmerising paintings.

If you would like to enquire about working with Aska, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

Ethan Houser is a sound designer and composer whose deep love of storytelling lives at the heart of his work.

Originally from Minneapolis, now based in Berlin, Houser's passion for fusing sound design and original composition has seen him create sonic world's for the industry's most revered Creative Agencies, Production Companies, and globally recognised brands such as Hennessy, Swatch, Sony, Coca-Cola, H&M, and Volkswagen.

If you would like to enquire about working with Ethan, email us at contact@dirtysoup.com

Alex Brady-Epton is a composer, record producer, mixer and DJ.

After gaining critical acclaim for his production work with the band Spank Rock, Epton went on to forge a creative bond with the internationally revered label XL Records. A unique relationship that has seen Alex collaborate with acclaimed artists, such as FKA Twigs, Arca, Kali Uchis, Wiki, Amber Mark, Skepta, Aj Tracey, David Byrne and Jack Penate.

In addition to his eclectic production work, Epton has brought his unique musical voice to global commercial brand campaigns and short film projects, including the spellbinding GANG, directed by Clayton Vomero. Juvenile, directed by Jovan Todorovic, and After Maria - the hard-hitting Netflix Documentary-Short that chronicled the harrowing aftermath of Hurricane Maria.

Highly sought-after by artists in a variety of genres, NYC based Epton has produced remixes for The Kills, Kele Okereke, Björk, Charlotte Gainsbourg, Thom Yorke, TV on the Radio, Lily Allen, Kool Keith, Kylie Minogue, Beach Fossils, Neon Indian and others.

If you would like to enquire about working with Alex, email contact@dirtysoup.com

Award-winning composer, producer and multi-instrumentalist, Robert Cairns' eclectic body of work ranges from feature films to multi-season episodic television scores, to short, impactful main titles, commercials and brand identities.

Cairns recently won a coveted Annie Award – widely recognised as the Oscars for Animation – for his stand-out score on 'Sonnie's Edge', episode 2 of the Emmy-winning animated Netflix series, Love Death and Robots, which was produced by David Fincher, Tim Miller, Jennifer Miller and Josh Donen.

His many credits include The Forger starring John Travolta and Christopher Plummer, Stephen Soderberg's Magic Mike, Girl In Progress starring Eva Mendes, ABC's Suburgatory and CW's Ringer. He also worked on the Oscar-nominated animated short Gopher Broke, Dayyan Eng's Chinese comedy, Wished, as well as producing the main-titles for Stitchers.

Cairns has also produced and arranged an updated cover of the classic 'Bang Bang (My Baby Shot me Down)' for the Titanfall II cinematic trailer and created a multi-genre mashup of Norman Greenbaum's 'Spirit in the Sky' for the Lawbreakers cinematic trailer.

As well as Cairns' vast body of work being featured across film and TV for the past 20 years, his extensive musical knowledge, skill and collaborative approach has made him a highly-valued creative partner on commercial campaigns for the likes of Audi and Mercedes, as well as video game franchises like Star Wars, Elder Scrolls and Halo.

Robert is working on season two of Love Death and Robots for Netflix.

If you would like to enquire about working with Robert, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and work with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In recent years, Westman has teamed up with Dirty Soup Founder Raife Burchell to Music Supervise This American Life - Ends of the Earth. The spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon - and To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

Jaime worked as an artist manager for eight years at Sir Elton John’s management company Rocket Music, which represents artists such as Ed Sheeran and Lily Allen. Jaime managed singers & bands such as Easy Life and Pnau, as well as working across Rocket’s full-roster on live tour scheduling and artist development. She also helped organise club nights across London, with DJ residencies in the West End, Shoreditch & Camden.

Jaime heads-up Dirty Soup’s existing track research and playlist curation. She recently sound-tracked two global Mini campaigns, which were produced by Iconoclast Berlin and directed by WE ARE FROM LA.

Jamie studied American Literature & Film Studies at Sussex University and is based between London, Los Angeles & New York.

If you would like to enquire about working with Jaime, email us at contact@dirtysoup.com

Ethan Houser is a sound designer and composer whose deep love of storytelling lives at the heart of his work.

Originally from Minneapolis, now based in Berlin, Houser's passion for fusing sound design and original composition has seen him create sonic world's for the industry's most revered Creative Agencies, Production Companies, and globally recognised brands such as Hennessy, Swatch, Sony, Coca-Cola, H&M, and Volkswagen.

If you would like to enquire about working with Ethan, email us at contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Steve Fanagan is a multi-award-winning sound designer, supervising sound editor and sound re-recording mixer.

Since joining Dirty Soup’s Sound Design roster for Commercial Branded Content, Steve has created the sonic worlds for brands such as Johnny Walker, Nivea, Porsche, and Facebook.

Steve has won six IFTA Awards, an MPSE Golden Reel Award, was Emmy-nominated for his work on Game Of Thrones, picked up MPSE, HPA and Music + Sound nominations for his work on Room, and in 2021 was Bafta nominated for his work on Normal People. Steve is a member of The Academy, BAFTA, MPSE, EFA and BIFA.

If you would like to enquire about working with Steve for Commercial Branded Content, email us at contact@dirtysoup.com

CREDITS:

PRODUCTION: Director: Sara Dunlop Production Company: Rattling Stick Director of Photography: Antonio Paladino Producer: Ellie Fry Executive Producer: Johnnie Frankel Editing Company: Work Editorial Editor: Bill Smedley Music Supervision: Raife Burchell @ Dirty Soup Composers: Matthias Biermann & Sebastian Pille for Dirty Soup Sound Designer/Mixer: Steve Fanagan M.P.S.E. Music track title: Marmor Stein Und Eisen Bricht Music Publishing: Written by Christian Bruhn, Drafi Deutscher and Guenter Loose © Nero Musikverlag GmbH & Co. oHG, licensed by CTM Publishing B.V. Post Production: Time Based Arts Flame: Leo Weston Nuke: Ralph Briscoe Colorist: Lewis Crossfield Producer: Sean Erwins

WIEDEN+KENNEDY AMSTERDAM: Executive Creative Director: Eric Quennoy, Mark Bernath Creative Directors: Hannah Smit, Edouard Olhagaray Art Director: Emma Mällinen Copywriter: Ane Santiago Quintas Head of Broadcast Production: Joe Togneri Broadcast Producer: Stijn Wikkerink Group Account Director: Eleanor Thodey Account Director: Andrea Martinez Account Manager: Marie Lee Account Executive: Roberta Hilgert Planning Director: Emma Wiseman Comms Strategist: Jocelyn Reist Studio Director: Lizzie Murray Studio Manager: Loes Poot Lead Designer: Thomas Payne Designer: Lewis Beedham Motion Designer: Jacson Mitchell Project Manager: Saskia van Zwieten Business Affairs: Fiona Fan

FACEBOOK: Chief Marketing Officer: Antonio Lucio VP Global Business Marketing and Chief Creative Officer: Mark D’Arcy VP, Product Management: Fidgi Simo VP Consumer Brand and Product Marketing FB App: Samantha Wu Director, Consumer Product Marketing: Ann Wessing Director, Marketing Insights: Joshua Grossnickle Head of Creative, FB App: Sue Anderson Director, Head of International Marketing: Fatima Saliu Central Europe Marketing Head: Ineke Paulsen Lead Consumer Marketing Manager: Jacqueline Routier Consumer Marketing Manager: Hanna Reisch Creative Director: Paula Cristalli Creative Director Rene Lamberti

When Rattling Stick director Ed Morris asked Dirty Soup to help him create a track for his new spot for the Royal Navy, we knew only British music royalty would do, so we called Bernard Butler to ask him if he'd record an original track for the campaign. As you can see from the film, the partnership between Ed and Bernard proved to be pretty dynamic.

Scroll down the page to take a read of Campaign Magazine’s recent interview with Raife and Bernard where they chat about how the soundtrack took shape.

If you would like to enquire about working with Raife for Film, Advertising and Live branded projects, email contact@dirtysoup.com

CREDITS:

Director: Ed Morris
Original Composition: Bernard Butler
Music Supervisor: Raife Burchell
Producer: Chris Harrison
Production co: Rattling Stick

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Steve Fanagan is a multi-award-winning sound designer, supervising sound editor and sound re-recording mixer.

Since joining Dirty Soup’s Sound Design roster for Commercial Branded Content, Steve has created the sonic worlds for brands such as Johnny Walker, Nivea, Porsche, and Facebook.

Steve has won six IFTA Awards, an MPSE Golden Reel Award, was Emmy-nominated for his work on Game Of Thrones, picked up MPSE, HPA and Music + Sound nominations for his work on Room, and in 2021 was Bafta nominated for his work on Normal People. Steve is a member of The Academy, BAFTA, MPSE, EFA and BIFA.

If you would like to enquire about working with Steve for Commercial Branded Content, email us at contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Steve Fanagan is a multi-award-winning sound designer, supervising sound editor and sound re-recording mixer.

Since joining Dirty Soup’s Sound Design roster for Commercial Branded Content, Steve has created the sonic worlds for brands such as Johnny Walker, Nivea, Porsche, and Facebook.

Steve has won six IFTA Awards, an MPSE Golden Reel Award, was Emmy-nominated for his work on Game Of Thrones, picked up MPSE, HPA and Music + Sound nominations for his work on Room, and in 2021 was Bafta nominated for his work on Normal People. Steve is a member of The Academy, BAFTA, MPSE, EFA and BIFA.

If you would like to enquire about working with Steve for Commercial Branded Content, email us at contact@dirtysoup.com

We’re proud to have been a part of Crisis UK’s latest Christmas campaign helping to end homelessness. 

Huge thanks to Grammy-winning composer Lorne Balfe and his incredible team at 14th Street Music for their reworking of 'Twelve Days Of Christmas’ - and Rogue Films for asking us to get involved.  

If you would like to enquire about working with Lorne, email contact@dirtysoup.com

CREDITS

Director Charlie Watts Original Music 14th Street Music Music Production Lorne Balfe Music Supervision Raife Burchell @ Dirty Soup Production Company: Rogue Films Agency: Don't Panic

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Director: Sebastian Strasser Agency: Antoni Creative Director: Alice Bottaro Managing Director: Sven Dörrenbächer, Jörg Schultheis, Matthias Schmidt Client Service Director: Steffen Schumann
 Account Director: Rebecca Otto-Sander
 Account Manager: Yvonne Mielke Original Composition: Steffen Thum & Lorne Balfe Music Supervisor: Raife Burchell @ Dirty Soup Executive Producer: Christoph Petzenhauser Producer: Christoph Petzenhauser & Bjoern Levy-Krueger DOP: Justin Brown Styling: Gelb Ignatov & Julia Vojtovcs Editor: Thomas Grove Carter | Trim Editing Production Design: Robin Brown Production Company: Anorak Production Coordinator: Karin Rodukas PostProduction Supervisor: Christian Wegehenkel Colour Grading: Slaughterhouse Berlin Sound Engineer/Design: Florian Kruse Post-Production Online: The Mill London Producer: Justin Stiebel Sound Studio: Slaughterhouse Berlin Service production: Icon Films

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Check out our latest track placement for Mercedes Benz - the Gary Friedman directed heart-warmer that we knew the perfect track for right away. It took us exactly one viewing of the edit before offering up the musical solution for this GLB campaign - The sublime, yet relatively unknown cover of The Temptations classic, My Girl, recorded by Stevie Wonder in 1972. Take a listen to Mr. Wonder’s version in full by hitting play on the sound bar on the right… oh man, those strings get us every time!

If you would like to enquire about working with Raife for Film, Advertising and Live branded projects, email contact@dirtysoup.com

CREDITS:

Director: Gary Freedman Agency: Antoni Creative Director: Marcell Francke Music Supervisor: Raife Burchell DOP: Monika Lenczewska EP: Christiane Dressler Producer: Bjorn Levy Krüger Editor: Jacob Ipsen Grading: Moving Picture Company, Jean-Clément Soret Online: SLGH

Thanks to our friends at Tracks & Fields for clearing the track.

Reede Reynolds mixes and masters music and sound for film.

Reynolds' career got underway in style when he was invited to study at the world-renowned Victorian College of Arts in his native Melbourne, Australia. From there, he was welcomed at the prestigious Technical Production Masterclass at Melbourne's SAE Institute, where he continued to hone his craft alongside many of Melbourne's most accomplished studio engineers.

Now Berlin-based, Reede's deep musical knowledge and passion for the art of mixing and mastering music and sound for film is seeing him work with the most creative agencies, directors, and production companies in the industry.

If you would like to enquire about working with Reede, email us at contact@dirtysoup.com

We recently engaged composer and producer Nikolaj Torp Larson to help put the finishing touches to this Chris Rae classic for Mini.

Nikolaj has worked with Adele, Lana Del Ray, Florence and the Machine, George Ezra, Jack Savoretti and is currently in the UK band The Specials as musical director and keyboardist.

If you would like to enquire about working with Nikolaj, email us at contact@dirtysoup.com

CREDITS

Director Ed Morris Additional Composition Nikolaj Torp Larson for Dirty Soup Production Company Riff Raff Films Editor Flaura Atkinson Assistant Editor Mattie Hutcheson Producer Kate Brady Offline Producer Kirsty Oldfield Agency Anomaly Creative Team Simon Cheadle / Charlotte Hughes / Danny Pallett Agency Producer Jane Rattle DP Daniel McPake Colourist Philip Louis Hambi Post MPC Sound Factory

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Reede Reynolds mixes and masters music and sound for film.

Reynolds' career got underway in style when he was invited to study at the world-renowned Victorian College of Arts in his native Melbourne, Australia. From there, he was welcomed at the prestigious Technical Production Masterclass at Melbourne's SAE Institute, where he continued to hone his craft alongside many of Melbourne's most accomplished studio engineers.

Now Berlin-based, Reede's deep musical knowledge and passion for the art of mixing and mastering music and sound for film is seeing him work with the most creative agencies, directors, and production companies in the industry.

If you would like to enquire about working with Reede, email us at contact@dirtysoup.com

Alex Brady-Epton is a composer, record producer, mixer and DJ.

After gaining critical acclaim for his production work with the band Spank Rock, Epton went on to forge a creative bond with the internationally revered label XL Records. A unique relationship that has seen Alex collaborate with acclaimed artists, such as FKA Twigs, Arca, Kali Uchis, Wiki, Amber Mark, Skepta, Aj Tracey, David Byrne and Jack Penate.

In addition to his eclectic production work, Epton has brought his unique musical voice to global commercial brand campaigns and short film projects, including the spellbinding GANG, directed by Clayton Vomero. Juvenile, directed by Jovan Todorovic, and After Maria - the hard-hitting Netflix Documentary-Short that chronicled the harrowing aftermath of Hurricane Maria.

Highly sought-after by artists in a variety of genres, NYC based Epton has produced remixes for The Kills, Kele Okereke, Björk, Charlotte Gainsbourg, Thom Yorke, TV on the Radio, Lily Allen, Kool Keith, Kylie Minogue, Beach Fossils, Neon Indian and others.

If you would like to enquire about working with Alex, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Brian’s career kicked off in style when, at age 16, he with his classmate Damien Rice started playing music together in school. This led to them forming the indie band Juniper and then later Bell X1, with whom Brian went on to record four albums and extensively tour the world.

Brian then set about creating The Cake Sale – a project set up to raise funds for the international charity Oxfam. The all-star-line-up featured Snowpatrol’s Gary Lightbody, The Cardigans Nina Persson, The Divine Comedy’s Neil Hannon, Lisa Hannigan, Glen Hansard, and Paul Noonan from Bell X1. The record was released in Europe and America to huge critical acclaim, became a multi-platinum selling hit, and still generates royalties for Oxfam.

Not being able to ignore his lifelong calling to score music to picture, Brian up’d sticks and moved to Berlin, where he converted a 3500sq ft factory in the heart of Kreuzberg into a modular recording studio complex. The studio became home to a head-spinning stable of composers including Hildur Guõnadóttir, Dustin O’Halloran, Rutger Hoedemaekers and the late, great Jóhann Jóhannsson - with whom Brian collaborated with on various TV and Film projects including Transparent, The Mercy, Mary Magdalene & I Love Dick.

After eight busy years in Berlin, Brian decided to return to his roots in his native Ireland. Inspired by the vast wooded landscape of County Wicklow, he designed and built ‘Treehouse Studios’, a stunning log cabin recording studio at the foot of Carrick Mountain.

In the spring of 2021, while most of the world was still in lockdown, Brian recorded his debut solo album Imbrium. The Sunday Times described the record as “nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives”.

In addition to composing music for Film and TV, the worlds most revered advertising agencies continue to engage Brian’s talents to help them soundtrack global brand campaigns for clients such as Samsung, Google, Under Armour, Dodge, Toyota, Wolf Blass, Volkswagen, Ferrero Küsschen, Uniqlo & Pfizer.

Brian is also a director of the Irish Music Rights Organisation and is Chair of the Screen Composers Guild of Ireland.

If you would like to enquire about working with Brian, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Karl Westman’s illustrious journey in the industry has taken many musical twists and turns.

Aged 24, Westman kicked off his career by landing an entry-level job at one of New York City’s go-to recording studios for the US advertising industry. His passion and inherent understanding for the art of crafting music to picture quickly moved him up the ranks - first, with Ogilvy & Mather NYC drafting him in as their In-House Music Producer, then as Executive Producer with two of NYC's premiere music houses. He returned to Ogilvy NYC in 1999 to take on the Director of Music role.

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and head into the studio with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In Film, Westman teamed up with Dirty Soup Founder Raife Burchell to Music Supervise the spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon. Karl and Raife teamed up again for To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

No matter the form – short or long, existing track placement, or original composition for TV, Film, or Branded content – Westman lives for the process of music-making.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster, but you can check out a small handful of those projects by hitting play on any of the videos.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

Brian’s career kicked off in style when, at age 16, he with his classmate Damien Rice started playing music together in school. This led to them forming the indie band Juniper and then later Bell X1, with whom Brian went on to record four albums and extensively tour the world.

Brian then set about creating The Cake Sale – a project set up to raise funds for the international charity Oxfam. The all-star-line-up featured Snowpatrol’s Gary Lightbody, The Cardigans Nina Persson, The Divine Comedy’s Neil Hannon, Lisa Hannigan, Glen Hansard, and Paul Noonan from Bell X1. The record was released in Europe and America to huge critical acclaim, became a multi-platinum selling hit, and still generates royalties for Oxfam.

Not being able to ignore his lifelong calling to score music to picture, Brian up’d sticks and moved to Berlin, where he converted a 3500sq ft factory in the heart of Kreuzberg into a modular recording studio complex. The studio became home to a head-spinning stable of composers including Hildur Guõnadóttir, Dustin O’Halloran, Rutger Hoedemaekers and the late, great Jóhann Jóhannsson - with whom Brian collaborated with on various TV and Film projects including Transparent, The Mercy, Mary Magdalene & I Love Dick.

After eight busy years in Berlin, Brian decided to return to his roots in his native Ireland. Inspired by the vast wooded landscape of County Wicklow, he designed and built ‘Treehouse Studios’, a stunning log cabin recording studio at the foot of Carrick Mountain.

In the spring of 2021, while most of the world was still in lockdown, Brian recorded his debut solo album Imbrium. The Sunday Times described the record as “nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives”.

In addition to composing music for Film and TV, the worlds most revered advertising agencies continue to engage Brian’s talents to help them soundtrack global brand campaigns for clients such as Samsung, Google, Under Armour, Dodge, Toyota, Wolf Blass, Volkswagen, Ferrero Küsschen, Uniqlo & Pfizer.

Brian is also a director of the Irish Music Rights Organisation and is Chair of the Screen Composers Guild of Ireland.

If you would like to enquire about working with Brian, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Director: Sebastian Strasser Agency: Antoni Music Supervisor: Raife Burchell DOP: Hoyte van Hoytema/Bernd Wondollek ⁠EP: Catherine Baikousis ⁠Producer: Bjorn Levy Krüger Production Coordinator: Karin Rudokas Editor: Mischa Meyer Online: The Mill, Justin Stiebel Casting: Kharmel Cochrane Casting, Bloom Casting Julia Todorow Sound Design: Studio Funk Local Production: Romance Films

Premiering at Paris Fashion Week, Marc O'Polo's anthem, "It's On Us", encourages personal responsibility in our collective fight against climate change.Directed by Jonas Lindstroem for Iconoclaust Germany, with music, sound design and final mix and mastering by Dirty Soup, all care was taken to ensure the film production itself was carbon neutral.

NY based composer Alex Epton wrote and produced the motivating, hopeful track as a call to arms. Woven through it, spoken word elements underpin the core idea that our many small actions will add up to the big changes needed.

If you would like to enquire about working with Alex, email us at contact@dirtysoup.com

CREDITS:

Director Jonas Lindstroem Original Track Alex Epton Music Supervision Raife Burchell Sound Design Ethan Houser Mix + Master Reede Reynolds Production Company Iconoclast Germany Gmbh DOP Benoit Soler Executive Producer Nils Schwemer Producer Franko Melisch Production Assistant Leonidas Befeldt Clients Sandro Schramm, Katharina Reichle Production Coordinator Steffen Blechschmidt  Casting Dominique Booker Stylist Dogukan Nesanir Stylist Assistant Natalia Farnaus Make-up Artist Patrick Glatthaar Hair Stylist Kalle Eklund Service Production BAS PRODUCTIONS Executive Producer Andre Caruso Line Producer Luka Jauh Production Designed Aleš Bracovič/Miha Marčič Production Coordinator Alja Primec & Ana Griparic Editor Carla Luffe Postproduction Supervisor Leonidas Befeldt & Harun Güler Colourist Luke Morrison c/p ETC Colour Colour Producer Oliver Whitworth c/o ETC Colour Post Production SLGH Berlin Postproducer: Christian Wegehenkel Models Cecilia Zevenhek, Karishma Purohit, Gayoung Ko, Gabriel Abgolo Ottawa Kwami Efoe, Tom Rey, Bilel Ben Ahmed, Felix Su Yan Cheong-Macleod. 

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Karl Westman’s illustrious journey in the industry has taken many musical twists and turns.

Aged 24, Westman kicked off his career by landing an entry-level job at one of New York City’s go-to recording studios for the US advertising industry. His passion and inherent understanding for the art of crafting music to picture quickly moved him up the ranks - first, with Ogilvy & Mather NYC drafting him in as their In-House Music Producer, then as Executive Producer with two of NYC's premiere music houses. He returned to Ogilvy NYC in 1999 to take on the Director of Music role.

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and head into the studio with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In Film, Westman teamed up with Dirty Soup Founder Raife Burchell to Music Supervise the spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon. Karl and Raife teamed up again for To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

No matter the form – short or long, existing track placement, or original composition for TV, Film, or Branded content – Westman lives for the process of music-making.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster, but you can check out a small handful of those projects by hitting play on any of the videos.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

Japanese Rockabilly girl band for George @ Asda? Well of course! We worked again with Fallon to find the perfect track for George.com and Asda's kids campaign. ‘Woo Hoo’ by the Japanese rock/surf/pyschobilly girl trio, The 5.6.7.8’s, could not have been a better fit. Ridiculously upbeat, bursting with energy, and just the right side of intensely irritating! But enough about the kids in the ad … the music was ace!

Artist: The 5.6.7.8's
Track: Woo Hoo
Music Supervisor: Raife Burchell

Raife music supervised Mercedes' new worldwide C-Class advertIsing campaign, again teaming up director Sebastian Strasser, and the Grammy nominated composer, Lorne Balfe to score the original composition. Lorne's incredible body of work can be heard in blockbusters such as The Dark Night, Inception, Batman Begins, Pirates of the Caribbean and Iron Man.

Thanks to Christoph Petzenhauser for asking us to be part of the team.

If you would like to enquire about working with Raife for Film, Advertising and Live branded projects, email contact@dirtysoup.com

CREDITS:

Music Supervisor Raife Burchell Director Sebastian Strasser Composer Lorne Balfe Producer Christoph Petzenhauser Prod Comp Anorak Film Agency Antoni/Berlin Editor Trim: Paul Hardcastle VFX Time Based Arts

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Tobias Norberg has garnered huge respect in the industry by applying his self-taught skills along with an approach that places his emotional response at the centre of his own unique process. His list of commercial credits is vast, driven in large part by his ability to collaborate with creatives across the disciplines and get the job done.

Many of the world’s biggest brands feature on his impressive resumé: Apple, Adobe, Amazon, Audi, BMW, Budweiser, Comcast, Delta Airlines, Dropbox, EA Sports, Ericsson, Gates Foundation, Google, HBO, History Channel, IBM, Lincoln Motor Company, L’Oreal, Marriott, Microsoft, Nike, NFL, Nissan, Nokia, Patreon, Samsung, Spotify, Toyota, Trustfall Films, Vanity Fair, Verizon, VISA, Volvo, WESC, WIRED, UFC, Under Armour, Unicef and Zeiss.

Currently based in Chicago, Tobias is originally from Stockholm in Sweden. Having recently scored a project that is close to his home and heart, the Scandinavian TV series, Ambassadören (The Ambassador) is an ambitious, trilingual project about a lucrative arms deal going on behind the facade of a Nordic embassy. Three versions have been shot – in Danish, Swedish and Norwegian.

Norberg also scored the Oscar-shortlisted animation, The Missing Scarf, directed by Eoin Duff and narrated by George Takei, as well as scoring the 2020 SXSW-selected documentary, Lions In The Corner.

If you would like to enquire about working with Tobias, email contact@dirtysoup.com

Ethan Houser is a sound designer and composer whose deep love of storytelling lives at the heart of his work.

Originally from Minneapolis, now based in Berlin, Houser's passion for fusing sound design and original composition has seen him create sonic world's for the industry's most revered Creative Agencies, Production Companies, and globally recognised brands such as Hennessy, Swatch, Sony, Coca-Cola, H&M, and Volkswagen.

If you would like to enquire about working with Ethan, email us at contact@dirtysoup.com

Tobias Norberg has garnered huge respect in the industry by applying his self-taught skills along with an approach that places his emotional response at the centre of his own unique process. His list of commercial credits is vast, driven in large part by his ability to collaborate with creatives across the disciplines and get the job done.

Many of the world’s biggest brands feature on his impressive resumé: Apple, Adobe, Amazon, Audi, BMW, Budweiser, Comcast, Delta Airlines, Dropbox, EA Sports, Ericsson, Gates Foundation, Google, HBO, History Channel, IBM, Lincoln Motor Company, L’Oreal, Marriott, Microsoft, Nike, NFL, Nissan, Nokia, Patreon, Samsung, Spotify, Toyota, Trustfall Films, Vanity Fair, Verizon, VISA, Volvo, WESC, WIRED, UFC, Under Armour, Unicef and Zeiss.

Currently based in Chicago, Tobias is originally from Stockholm in Sweden. Having recently scored a project that is close to his home and heart, the Scandinavian TV series, Ambassadören (The Ambassador) is an ambitious, trilingual project about a lucrative arms deal going on behind the facade of a Nordic embassy. Three versions have been shot – in Danish, Swedish and Norwegian.

Norberg also scored the Oscar-shortlisted animation, The Missing Scarf, directed by Eoin Duff and narrated by George Takei, as well as scoring the 2020 SXSW-selected documentary, Lions In The Corner.

If you would like to enquire about working with Tobias, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Karl Westman’s illustrious journey in the industry has taken many musical twists and turns.

Aged 24, Westman kicked off his career by landing an entry-level job at one of New York City’s go-to recording studios for the US advertising industry. His passion and inherent understanding for the art of crafting music to picture quickly moved him up the ranks - first, with Ogilvy & Mather NYC drafting him in as their In-House Music Producer, then as Executive Producer with two of NYC's premiere music houses. He returned to Ogilvy NYC in 1999 to take on the Director of Music role.

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and head into the studio with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In Film, Westman teamed up with Dirty Soup Founder Raife Burchell to Music Supervise the spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon. Karl and Raife teamed up again for To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

No matter the form – short or long, existing track placement, or original composition for TV, Film, or Branded content – Westman lives for the process of music-making.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster, but you can check out a small handful of those projects by hitting play on any of the videos.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Brian’s career kicked off in style when, at age 16, he with his classmate Damien Rice started playing music together in school. This led to them forming the indie band Juniper and then later Bell X1, with whom Brian went on to record four albums and extensively tour the world.

Brian then set about creating The Cake Sale – a project set up to raise funds for the international charity Oxfam. The all-star-line-up featured Snowpatrol’s Gary Lightbody, The Cardigans Nina Persson, The Divine Comedy’s Neil Hannon, Lisa Hannigan, Glen Hansard, and Paul Noonan from Bell X1. The record was released in Europe and America to huge critical acclaim, became a multi-platinum selling hit, and still generates royalties for Oxfam.

Not being able to ignore his lifelong calling to score music to picture, Brian up’d sticks and moved to Berlin, where he converted a 3500sq ft factory in the heart of Kreuzberg into a modular recording studio complex. The studio became home to a head-spinning stable of composers including Hildur Guõnadóttir, Dustin O’Halloran, Rutger Hoedemaekers and the late, great Jóhann Jóhannsson - with whom Brian collaborated with on various TV and Film projects including Transparent, The Mercy, Mary Magdalene & I Love Dick.

After eight busy years in Berlin, Brian decided to return to his roots in his native Ireland. Inspired by the vast wooded landscape of County Wicklow, he designed and built ‘Treehouse Studios’, a stunning log cabin recording studio at the foot of Carrick Mountain.

In the spring of 2021, while most of the world was still in lockdown, Brian recorded his debut solo album Imbrium. The Sunday Times described the record as “nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives”.

In addition to composing music for Film and TV, the worlds most revered advertising agencies continue to engage Brian’s talents to help them soundtrack global brand campaigns for clients such as Samsung, Google, Under Armour, Dodge, Toyota, Wolf Blass, Volkswagen, Ferrero Küsschen, Uniqlo & Pfizer.

Brian is also a director of the Irish Music Rights Organisation and is Chair of the Screen Composers Guild of Ireland.

If you would like to enquire about working with Brian, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Tobias Norberg has garnered huge respect in the industry by applying his self-taught skills along with an approach that places his emotional response at the centre of his own unique process. His list of commercial credits is vast, driven in large part by his ability to collaborate with creatives across the disciplines and get the job done.

Many of the world’s biggest brands feature on his impressive resumé: Apple, Adobe, Amazon, Audi, BMW, Budweiser, Comcast, Delta Airlines, Dropbox, EA Sports, Ericsson, Gates Foundation, Google, HBO, History Channel, IBM, Lincoln Motor Company, L’Oreal, Marriott, Microsoft, Nike, NFL, Nissan, Nokia, Patreon, Samsung, Spotify, Toyota, Trustfall Films, Vanity Fair, Verizon, VISA, Volvo, WESC, WIRED, UFC, Under Armour, Unicef and Zeiss.

Currently based in Chicago, Tobias is originally from Stockholm in Sweden. Having recently scored a project that is close to his home and heart, the Scandinavian TV series, Ambassadören (The Ambassador) is an ambitious, trilingual project about a lucrative arms deal going on behind the facade of a Nordic embassy. Three versions have been shot – in Danish, Swedish and Norwegian.

Norberg also scored the Oscar-shortlisted animation, The Missing Scarf, directed by Eoin Duff and narrated by George Takei, as well as scoring the 2020 SXSW-selected documentary, Lions In The Corner.

If you would like to enquire about working with Tobias, email contact@dirtysoup.com

For a vibrant, exciting spot like this for Honda Motorcycles we knew we needed a track that would really have people stomping their feet. After scouring the airwaves we settled on Hanni El Khatib's hard-riffing, I Got A Thing. We dare you to take a listen and try to tell us we made the wrong choice.

Thanks to Kream London for asking us to be involved.

Artist: Hanni El Khatib
Track: I Got A Thing
Music Supervisor: Raife Burchell

Ethan Houser is a sound designer and composer whose deep love of storytelling lives at the heart of his work.

Originally from Minneapolis, now based in Berlin, Houser's passion for fusing sound design and original composition has seen him create sonic world's for the industry's most revered Creative Agencies, Production Companies, and globally recognised brands such as Hennessy, Swatch, Sony, Coca-Cola, H&M, and Volkswagen.

If you would like to enquire about working with Ethan, email us at contact@dirtysoup.com

Karl Westman’s illustrious journey in the industry has taken many musical twists and turns.

Aged 24, Westman kicked off his career by landing an entry-level job at one of New York City’s go-to recording studios for the US advertising industry. His passion and inherent understanding for the art of crafting music to picture quickly moved him up the ranks - first, with Ogilvy & Mather NYC drafting him in as their In-House Music Producer, then as Executive Producer with two of NYC's premiere music houses. He returned to Ogilvy NYC in 1999 to take on the Director of Music role.

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and head into the studio with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In Film, Westman teamed up with Dirty Soup Founder Raife Burchell to Music Supervise the spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon. Karl and Raife teamed up again for To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

No matter the form – short or long, existing track placement, or original composition for TV, Film, or Branded content – Westman lives for the process of music-making.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster, but you can check out a small handful of those projects by hitting play on any of the videos.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

Born in Portugal and raised in Brazil, Tristan Bechet creates ear-grabbing electronically driven art-rock. Bechet's idiosyncratic approach to composition uses a collision of electronic soundscapes and rhythmic melody; always unexpected, his search for the innovative and cutting edge is paramount to his work.

Bechet has composed for a myriad of projects, including The Creator's Project, where he developed an art installation of the re-imagined version of David Bowie's Life On Mars original iconic video. Another hybrid project featured Kanye West for 25 Magazine in a film piece of visual and sonic fetishes, culminating in a brutal collage.

TRZTN, Bechet's solo side project, is a very different beast. It has seen him collaborate with many musicians, artists and filmmakers. One constant collaborator is Karen O of the band Yeah Yeah Yeahs. Together recording I Shall Rise; The Tomb Raider (Rise of The Tomb Raider) video game theme track. They also collaborated for the opening theme of the mini-series Hannah on Prime Video and Flesh and Bone on Starz. In addition, TRZTN was part of Karen O and the Kids, who together created the enchanting soundtrack for Spike Jonze's feature "Where The Wild Things Are".

TRZTN is also a regular collaborator with prominent fashion film directors such as Barnaby Roper, Nick Knight, Terry Richardson, and Mert and Marcus. These creative partnerships have seen his work feature in luxury brand campaigns and Fashion Films for Karl Lagerfeld, Dior, Chanel and Givenchy, and on platforms such as Nowness.com and the New York Times.

Latest projects include his TRZTN album, 'Royal Dagger Ballet', which includes collaborations with Paul Banks from the New York band Interpol, Jonathan Bree, and Karen O, amongst others.

If you would like to enquire about working with Tristan, email contact@dirtysoup.com

Berlin and LA-based composer team Matthias Biermann and Sebastian Pille met in 2013 and immediately realised they had a unique creative connection.

Before relocating from his native Netherlands to Berlin, Matthias Biermann studied jazz guitar at the Amsterdam Conservatory. After carefully honing his composition, writing and production skills, he fast became a staple of the German music scene. As well as being in high demand as a composer, he continues to be a key part of the band Roosevelt, playing worldwide concerts, festivals and TV shows.

Sebastian Pille grew up in Northern Germany first hammering out a tune on his family’s piano at the age of five. After realising very early on that he wanted to dedicate his life to becoming a composer, he went on to study music for film at the Munich University of Music and Performing Arts, where he was taught by, among others, the legendary film composer, Ennio Morricone. Following Pille’s contribution to the score for Labyrinth of Lies, which landed on the Oscar shortlist, he decided to relocate to Los Angeles where he continues to live and work.

Since joining forces, Biermann and Pille’s fledgeling partnership has seen them score global commercial campaigns for brands such as Mercedes Benz, Coca-Cola, Volkswagen, Facebook, Samsung and Mini.

If you would like to enquire about working with Matthias and Sebastian, email contact@dirtysoup.com

Prior to launching Dirty Soup in 2011, Raife spent 15 years working as a session musician. This dream journey spanned everything from playing the Pyramid stage at Glastonbury to TV appearances on The Tonight Show with Jay Leno and Later with Jools Holland. It's a deep-rooted industry experience that makes Raife trusted by artists and music management alike.

As a music supervisor, Raife has adeptly placed music from every genre and engaged many of the world's most creative composers in all categories and media. His latest projects include the feature Die, My Love, directed by Lynne Ramsay and starring Jennifer Lawrence and Robert Pattinson; season one of the twelve-part Disney Plus TV series A Thousand Blows, written by Stephen Knight and starring Stephen Graham; and global brand campaigns for the directors, Jonas Lindstroem and Miles Jay.

Raife still writes and performs and is currently engaged in two projects, with album launches set for 2025.

If you would like to enquire about working with Raife, email contact@dirtysoup.com

CREDITS:

Music Supervision Raife Burchell Original Composition: Nikolaj Torp Larsen Prod Comp Ogilvy & Mather NYC Director Keith Ehrlich Producer Kirsten Arongino Editor Rock Paper Scissor's: Ted Guard

Karl Westman’s illustrious journey in the industry has taken many musical twists and turns.

Aged 24, Westman kicked off his career by landing an entry-level job at one of New York City’s go-to recording studios for the US advertising industry. His passion and inherent understanding for the art of crafting music to picture quickly moved him up the ranks - first, with Ogilvy & Mather NYC drafting him in as their In-House Music Producer, then as Executive Producer with two of NYC's premiere music houses. He returned to Ogilvy NYC in 1999 to take on the Director of Music role.

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and head into the studio with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In Film, Westman teamed up with Dirty Soup Founder Raife Burchell to Music Supervise the spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon. Karl and Raife teamed up again for To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

No matter the form – short or long, existing track placement, or original composition for TV, Film, or Branded content – Westman lives for the process of music-making.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster, but you can check out a small handful of those projects by hitting play on any of the videos.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

We teamed up with BBDO Barcelona and Iconoclast Berlin to create a track for Jonas Lindstroem’s new Audi Campaign.

After carrying out extensive research we landed on the idea of engaging the extraordinary talents of half man, half machine, Faith SFX, to compose this vocal only track.

We first saw Faith on THIS YouTube clip from way back when, and more recently witnessed his incredible beatbox skills alongside one of our favourite artists, Plan B, as the pair have been long-term touring partners.

Take a listen to the track; every single sound – vocals, melody, beats – comes from Faith’s remarkable body.

Faith SFX is a rare talent, and we were so thrilled we were able to team him up with Jonas and his crew.

Very special thanks to Nico Blankenhorn for his support on this project.

If you would like to enquire about working with Raife for Film, Advertising and Live branded projects, email contact@dirtysoup.com

CREDITS:

Director: Jonas Lindstroem Original Composition: Faith SFX Creative Director: Sebas May Music Supervisor: Raife Burchell Production Company: Iconoclast Germany Agency: BBDO Barcelona DOP: Nicolai Nierman EP: Nils Schwemer Art Director: Alba Ciércoles Producer: Nicolas Blankenhorn Project Manager: Philipp Meyer TV Producer: Laura Escobar Strategy Director: Christiana Zito Head of Marketing Communications: Giovanni Perosino Postproduction Supervisor: Jens Maier-Rothe Line Producer: Franko Melisch Casting: Affa Osma 1st AD: Martin Kulhawy Head of Creative / Sales Media: Jörg Dietzel Head of Advertising/ Digital Communications: Dr. Felicitas Nogly International Advertising & Digital Communications: Karolin Wendt, Matthias Kasperek Production Advisory Group: Stefania Odero

Check out the irresistible track that we placed in Asda's ‘Back to School’ commercial for top London agency, Fallon, directed by Gerogi Banks Davies at Friend.

It’s by the extremely joyous 29-member Swedish pop collective I'm From Barcelona. We’ve been in love with their song 'Battleships' for a while, so we’re over the moon that it’s gone to a happy home!

Artist: I'm From Barcelona
Track: Battleships
Music Supervisor: Raife Burchell

London based, Jesse Elvis, aka Faith SFX is one of the worlds greatest beatboxers and vocal performers.

Described as "half-man, half-machine" – he has dedicated his life to honing his spellbinding vocal talents - recording and touring the world with artists including Plan B, Stormzy, Ed Sheeran, Paloma Faith, Emeli Sandé, Ms Dynamite, Akala, Lowkey, Skepta, Wretch 32, and the London Philharmonic & BBC Concert Orchestra.

As well as working alongside some of the music's biggest names – his work has appeared on global brand campaigns directed by ad industry heavyweights Jonas Lindstroem and Jake Nava. We also engaged SFX to appear alongside Lady Leshurr in 'What If', - a short film commissioned by BBC Films and Film Four as part of the London Film Festival programme.

Faith SFX's vocal-only approach is like no other.

If you would like to enquire about working with Faith SFX, or Raife, email contact@dirtysoup.com contact@dirtysoup.com

Reede Reynolds mixes and masters music and sound for film.

Reynolds' career got underway in style when he was invited to study at the world-renowned Victorian College of Arts in his native Melbourne, Australia. From there, he was welcomed at the prestigious Technical Production Masterclass at Melbourne's SAE Institute, where he continued to hone his craft alongside many of Melbourne's most accomplished studio engineers.

Now Berlin-based, Reede's deep musical knowledge and passion for the art of mixing and mastering music and sound for film is seeing him work with the most creative agencies, directors, and production companies in the industry.

If you would like to enquire about working with Reede, email us at contact@dirtysoup.com

This Mercedes spot was directed by Christian Larson. We took one look at the initial ideas for the film and knew we had to go big with this particular composition. With a full-throttle narrative like that, we were determined to do the piece – and the product – justice.

Step up producer and composer, Rob Cairns. The guy has made his name on the notoriously competitive LA underground scene and definitely has the chops to deliver the goods. His score helps keep the adrenalin running high throughout the spot and syncs brilliantly with the action onscreen. Almost makes you want to throw your own TV out of the window!

If you would like to enquire about working with Robert, email contact@dirtysoup.com

CREDITS:

Director: Christian Larson Creative Director: Marcell Francke Composer: Rob Cairns Music Supervisor: Raife Burchell Agency: Antoni/Berlin Producers: Felix Knabel & Björn Krüger Production Co: Anorak Film

Karl Westman’s illustrious journey in the industry has taken many musical twists and turns.

Aged 24, Westman kicked off his career by landing an entry-level job at one of New York City’s go-to recording studios for the US advertising industry. His passion and inherent understanding for the art of crafting music to picture quickly moved him up the ranks - first, with Ogilvy & Mather NYC drafting him in as their In-House Music Producer, then as Executive Producer with two of NYC's premiere music houses. He returned to Ogilvy NYC in 1999 to take on the Director of Music role.

Westman’s limitless knowledge of the musical process knows no bounds. And with a pair of the most finely tuned ears in the industry, his hands-on approach has seen him sculpt music for the world’s most recognisable brand campaigns and head into the studio with many of the world’s most talented artists - from Dave Brubeck, Philip Glass, Danny Elfman, Quincy Jones, all the way through to Timbaland and James Murphy.

In Film, Westman teamed up with Dirty Soup Founder Raife Burchell to Music Supervise the spellbinding documentary feature, Bombshell, The Hedy Lamarr Story, directed by Emmy-award winning journalist, Alexandra Dean, produced by Adam Haggiag, and Executive Produced by Susan Sarandon. Karl and Raife teamed up again for To Dust - a dark, brooding tale in which Matthew Broderick tries to help Géza Röhrigg (Son of Saul), a Hasidic cantor in upstate New York, come to terms with the untimely death of his wife.

No matter the form – short or long, existing track placement, or original composition for TV, Film, or Branded content – Westman lives for the process of music-making.

There isn’t enough bandwidth on the World Wide Web to host all of the projects Karl worked on before joining Dirty Soup’s Music Supervision roster, but you can check out a small handful of those projects by hitting play on any of the videos.

If you would like to enquire about working with Karl, email contact@dirtysoup.com

Ethan Houser is a sound designer and composer whose deep love of storytelling lives at the heart of his work.

Originally from Minneapolis, now based in Berlin, Houser's passion for fusing sound design and original composition has seen him create sonic world's for the industry's most revered Creative Agencies, Production Companies, and globally recognised brands such as Hennessy, Swatch, Sony, Coca-Cola, H&M, and Volkswagen.

If you would like to enquire about working with Ethan, email us at contact@dirtysoup.com

Ethan Houser is a sound designer and composer whose deep love of storytelling lives at the heart of his work.

Originally from Minneapolis, now based in Berlin, Houser's passion for fusing sound design and original composition has seen him create sonic world's for the industry's most revered Creative Agencies, Production Companies, and globally recognised brands such as Hennessy, Swatch, Sony, Coca-Cola, H&M, and Volkswagen.

If you would like to enquire about working with Ethan, email us at contact@dirtysoup.com

Brian’s career kicked off in style when, at age 16, he with his classmate Damien Rice started playing music together in school. This led to them forming the indie band Juniper and then later Bell X1, with whom Brian went on to record four albums and extensively tour the world.

Brian then set about creating The Cake Sale – a project set up to raise funds for the international charity Oxfam. The all-star-line-up featured Snowpatrol’s Gary Lightbody, The Cardigans Nina Persson, The Divine Comedy’s Neil Hannon, Lisa Hannigan, Glen Hansard, and Paul Noonan from Bell X1. The record was released in Europe and America to huge critical acclaim, became a multi-platinum selling hit, and still generates royalties for Oxfam.

Not being able to ignore his lifelong calling to score music to picture, Brian up’d sticks and moved to Berlin, where he converted a 3500sq ft factory in the heart of Kreuzberg into a modular recording studio complex. The studio became home to a head-spinning stable of composers including Hildur Guõnadóttir, Dustin O’Halloran, Rutger Hoedemaekers and the late, great Jóhann Jóhannsson - with whom Brian collaborated with on various TV and Film projects including Transparent, The Mercy, Mary Magdalene & I Love Dick.

After eight busy years in Berlin, Brian decided to return to his roots in his native Ireland. Inspired by the vast wooded landscape of County Wicklow, he designed and built ‘Treehouse Studios’, a stunning log cabin recording studio at the foot of Carrick Mountain.

In the spring of 2021, while most of the world was still in lockdown, Brian recorded his debut solo album Imbrium. The Sunday Times described the record as “nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives”.

In addition to composing music for Film and TV, the worlds most revered advertising agencies continue to engage Brian’s talents to help them soundtrack global brand campaigns for clients such as Samsung, Google, Under Armour, Dodge, Toyota, Wolf Blass, Volkswagen, Ferrero Küsschen, Uniqlo & Pfizer.

Brian is also a director of the Irish Music Rights Organisation and is Chair of the Screen Composers Guild of Ireland.

If you would like to enquire about working with Brian, email contact@dirtysoup.com

When you’re working for a long-standing, luxury auto marque like Mercedes you know you have to deliver something truly special. When Antoni Berlin asked us for an original track for this spot, simply titled ‘Fashion’, we knew LA-based underground producer and composer, D.O.B. would nail it.

The director of the spot is major league heavy hitter, Christian Larson. With him at the helm, plus Eliot Sumner starring, this was always destined to be a blockbuster of a commercial. D.O.B’s score only serves to ratchet up the tension and atmosphere to an almighty crescendo.

Director: Christian Larson Creative Director: Marcell Francke Composer: Rob Cairns Music Supervisor: Raife Burchell Agency: Antoni/Berlin Producers: Felix Knabel & Björn Krüger Production Co: Anorak Film